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The show could have used many more technical runs to iron out glitches Henley’s microphone was dysfunctional for the first act, and lighting queues often lagged, compromising the pace of what should be an energetic show. The show lost energy at moments of transition where it relied too heavily on blackouts, and cast members frequently exited and entered the stage with no apparent motivation. “La Vie Boheme” and “Rent” also profited from a passionate sense of solidarity and a fearlessness of the slightly obscene. The intimate physicality by the company in “Contact” pulled on all the viewers’ senses. The greatest strengths of Haq’s direction and choreography revealed themselves in large group numbers. Media clippings from the time that the musical was first staged added authenticity and political weight to the plot.
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The pop-art computer projections behind the stage were hard to miss, as they often obscured the actors’ faces.ĭirector and choreographer Shak Haq succeeded in lending a politically charged, slightly anxious energy to the production.
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Adorned with graffiti and distinctly unkempt, the stage evoked a sense of New York City non-conformity. The production unfolded on an unassuming yet appropriate set.
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A series of conflicts ensue, as the group struggles with poverty, HIV diagnoses, drug addiction, and encroaching injustices brought on by consumerism and intolerance of their gender and sexual identities. With the help of her current girlfriend Joanne (Hannah Lazare), and recent couple Collins (Roddy Rodriguez) and Angel (Aaron Hale), Maureen’s rally continues, causing Mark and Roger to be locked out of their building. Benny demands that his former friends help him to suppress a rally planned by Mark’s recent ex-girlfriend, Maureen (Nithya Garg), against the clearing of a lot occupied by homeless New Yorkers in exchange for forgiveness of their rent. The guys are in conflict with their ex-roommate and now-landlord Benny (Winston Sullivan), who found wealth through marriage and abandoned his bohemian lifestyle. The action focuses on roommates Mark (Katie Pereira) and Roger (Michael Henley), and their neighbour Mimi (Mirabella Sundar Singh), who takes a liking to Roger. Jonathan Larson’s Rent is a rock musical that has found its place in history as the quintessential depiction of bohemian life in late-1980’s Manhattan. In its final production of the year, the Victoria College Drama Society took on a staple of the Broadway canon.